News and Updates

A Study In Sculpture

As an architectural photographer, I sometimes have the opportunity to photograph artwork. In a recent project, I photographed some intriguing sculptures.

David Baird, is a professor of architecture at UNLV and an artist. His sculptures are made of wood, but they are not carved out of the wood. Rather they are constructed of many small, flat wood pieces of various shapes and sizes. The pieces are connected to each other to form rings and other two-dimensional shapes, and these shapes are interconnected and layered to form three-dimensional sculptures. The sculptures have a very architectural nature as a result of this process, which is not surprising when the artist is an architect.

An important aspect of David’s sculptures is the formation of negative space as the pieces are joined into ring-like shapes. When extruded into the third dimension, these empty spaces form tunnels and cavities, which create interesting voids and negative spaces as in these examples. Also note how the light shines through the gaps between the layers, bringing even more interest to the pieces.

What’s fascinating about David’s sculptures is that with just a small change in orientation, they take on a completely different look. I photographed each sculpture in at least two orientations. Each sculpture has a horizontal and a vertical orientation, so for most of them I photographed them in each of those positions.

But even a rotation can make a major change in appearance. In the next example, I’ve made just a small rotation, and the sculpture takes on a very different appearance.

This tall piece also changes its appearance significantly with small rotations. I produced a series of photographs, rotating the sculpture by a small amount for each photograph. Here’s the full series of images.

These sculptures are an abstraction. They represent abstract ideas and architectural notions. As abstract pieces, they encourage the mind to find more concrete and familiar objects in them--an activity similar to seeing shapes in clouds. To me, this one looks like a pig:

This one could be a race car:

And this one looks either like a flying bird or a bear:

Most of the sculptures are small and medium-size pieces, and a couple are larger pieces--the tower and the “pig” shown above. All the pieces are surprisingly heavy. I photographed them on a plain white background, and I adjusted the light for each sculpture and each orientation to highlight the texture and contours of the piece.

I enjoy working with architects because they are creative people. I normally photograph their very large creations--buildings and interior spaces. But in this case, I had the opportunity to work with an architect to photograph his smaller constructions. To learn more about David Baird’s work, visit http://www.keepitreal.gallery/.

AIA Spotlight Member

I am honored to be the AIA Las Vegas spotlight member for May 2021! Here’s the cover of our AIA newsletter:

AIA Las Vegas Forum, May 2021

I’ve been an allied member of the AIA since 2018, and I enjoy going to the different events we have each month. At least, I used to--with COVID we haven’t been able to do that for over a year. But hopefully we’ll start up live events again soon.

Here’s the writeup about me from the newsletter:


I am a member of AIA because…

I am committed to learning more about architecture and design and to supporting our community of architects.

I am an architectural photographer based here in Las Vegas. I’m always looking for artistic ways to capture a space and express what it feels like to be there. I know that most people will only ever experience a building through photographs, so I know how important my work can be to architects, and I take that responsibility very seriously. The work of architects inspires my artistic work of photography, and I enjoy every opportunity to collaborate with architects to showcase their creations.


What is the most important thing you’ve learned?

Persistence is everything. No matter how many times you are told “no”, you must not give up. You must keep going. All it takes is one person to say “yes”, and you’re off to the races. If you have something valuable to contribute, eventually enough people will recognize your value and you’ll be set. I’ve applied that persistence to my business, and so far so good!


What is your favorite piece of architecture? Why?

It’s so hard to choose! There are so many incredible pieces of architecture out there. But I think I’d have to settle on Frank Lloyd Wright’s Fallingwater. I grew up in Pittsburgh, about 90 minutes away from Fallingwater. That house reminds me of home. It sits in the woods of Western Pennsylvania and is part of the environment I'm so familiar with. I remember visiting the house as a kid, taking the tour, and being amazed by its various design elements. Maybe my visit there planted a seed of interest in architecture, and that’s another reason I love it.


What person, living or dead, would you most like to talk with?

One of the three grandparents I never knew. Is that cheating? I don’t care--how can I pick just one? Family is so important, and grandparents are a link to the past. They help us understand where we came from and where we’d like to go. I’d love to have the chance to talk with one of my grandparents to understand them and the world they lived in.


Where will you be in 20 years?

Retired! Well, hopefully not. I started my architectural photography career later than most, and I hope to continue working as long as I’m able to. I love photographing architecture, and at this point not only is it my profession, but it’s also my hobby. So I’d like to continue doing it for many years to come. In 20 years I hope to be a better-known photographer who has the chance to work on unique and special projects.

Certified Under FAA Part 107

I am excited to announce that I am now a certified remote pilot under FAA Part 107 for commercial drone flights, and I am now offering drone photography as part of my services. Depending on the project, I may include aerial photography in my estimates.

Aerial view of downtown Las Vegas, NV. Note the new Circa Resort tower on the left.


I actually got my license at the end of June, but I wanted to wait until I had some aerial photographs to share!

I started preparing for the FAA knowledge test last year. Then the end of the year came, and I got busy with several other projects, and then the pandemic hit. So I’ve been on hold with my certification for a while. I have received several requests over the last year for drone photography, however, so when the testing centers recently opened back up in Las Vegas, I decided it was time to complete my certification.

Looking down on the cavern created by buildings A, B, and C at the World Market Center in Las Vegas, NV

When I started reviewing the FAA material, I realized how much I had learned last year when I first started preparing for the test. Everything came back to me very quickly, and after a few review sessions and practice exams, I felt ready to take the test. Fearing that the test centers would close down again with an increase in the number of COVID-19 cases, I decided to move my test date up by a week.

Aerial view of the new World Market Center Expo in Las Vegas, NV

I passed the test and applied for the license, and I’m now official! I’m sharing here a few photographs from a recent assignment where I made use of my new license.

This view shows the layout of some of the landscaping at the new World Market Center Expo in Las Vegas, NV.






COVID-19 Policies

I need to do my part to help contain the spread of COVID-19. To that end, I am proud to announce that I have established a policy on COVID-19. You can read my policy below or on my COVID-19 page.

OBGYN examination room (sonography)

COVID-19 Policy:

  • I will regularly review all CDC guidelines and government orders and regulations regarding COVID-19, and I will comply with all guidelines, orders, and regulations.

  • I will wear a mask during the entire duration of a project while inside a client’s home or building.

  • I will practice social distancing during the entire time I am inside a client’s home or building.

  • I will check for any symptoms of COVID-19 prior to arriving at the client’s location. If I am experiencing any symptoms or have any reason to think I might be getting sick, I will cancel and reschedule the project for at least 14 days in the future.

  • If at any time I am diagnosed with COVID-19, I will notify all clients whose locations I have visited in the past 14 days.

  • If after completing a project at a client’s site, I learn that within 14 days before the project I was exposed to someone diagnosed with COVID-19, I will notify my client of that exposure so they are aware of the possibility of exposure through me.

I am committed to these policies, and I will do my best to ensure everyone I interact with is stays safe from exposure through me.

Time for a New Headshot

I’m an architectural photographer, not a headshot or portrait photographer.

But it’s time for a new headshot, and with the current health crisis causing an extended pause in my architectural projects, I decided to produce a new headshot for myself as a personal project. No, this photograph is not the final result!

2 - Headshot 2020 - Michael Tessler.jpg
 

My old headshot is a few years old, and it’s time for a refresh. I have lights, a camera and tripod, a lens that would work well for portraits and headshots, the ability to control the camera remotely--including focusing--and some extra time on my hands, so why not take a shot at doing it myself? I even have a plain white background, which I occasionally use to photograph custom-designed furniture, and which also makes a perfect backdrop for a headshot.

I’m not a generalist. I see very strong value in specializing in one type of photography. For me, that’s architectural photography. The idea of working in other genres is daunting to me, and I’m most interested professionally in sticking with photographing architecture and design. It’s what I love, and it’s what I’m best at doing.

I want YOU for a new headshot!

I want YOU for a new headshot!

But like I said, I have all the necessary equipment and I have the technical knowledge to make a portrait or headshot, so I went for it. What I don’t have is the non-technical knowledge and experience a real headshot photographer has, and just like in architectural photography, that’s actually far more important than the technical aspects of headshot photography. For example, I don’t have experience in directing my subject, posing them, and pulling a great expression from them. These are some of the most important skills that make or break a headshot photographer. Even if I had that experience, I’m not sure how much it would be worth given that I am the subject--it’s a self-portrait! But I’ve studied headshot photography out of a general interest in other types of photography, so I have some idea of what to do.

 

The key for me is to capture a photograph that looks like me. I know that sounds ridiculous. It’s a photograph--of course it looks like me. But I mean, I want a headshot that looks like me. I think of it like this. I can walk into a room, pull out my phone, and snap a shot of the space. Does it look like the room? Of course. But it does nothing to bring out the meaning of the space and the highlights of the architecture and design. It doesn’t tell a story. It doesn’t flatter the design and the space. For that higher level of communication through photography, I need to approach the photograph as an architectural photographer, not just someone taking a random snapshot of the room.

I mean the same thing here. Not just any image of myself is going to do. I need to capture myself looking genuine, real, and expressing something about myself that is authentic. A staged portrait where I’m looking at the camera and saying “cheese” is not going to be good enough.

 
 

So how did I approach this project? I tried a lot of different things. I mixed in a lot of goofy faces to keep myself loose and natural. I thought of something that made me laugh--really genuinely laugh out loud--and then I captured images around that time. These are the ways I tried to extract a genuine and natural expression from myself rather than a staged, forced smile.

I made close to 400 images of myself, but this  was not just a matter of “spray and pray.” In each image I tried something different. I set the lights up one way or another. I wore different clothes. I turned one way or another to the camera. And I worked on a number of different expressions and ideas as I described above.

At the end of the day I narrowed those 400 images down to 20. I stepped away from it for a few days and took another look at the candidates. I eliminated 8 more and then presented the final 12 to some friends who have a lot of experience evaluating headshots. After getting their feedback and discussing the final options, we all agreed on three final candidates.

These three photographs truly represent me. They look like me, and they each say something about me that is real, true, and comes across genuinely. I will now be using these headshots for different purposes. I’ve shared above some additional favorites from this project, but these three are my official headshots. You can see two of them in action on my About and Contact pages and right here in the sidebar of my blog.

Is this something I want to add to my repertoire? No--I’m an architectural photographer, and that’s what I want to be. But it was actually a lot of fun setting everything up, doing the photography, and doing the retouching on these photographs. It gave me a much greater appreciation for what a true professional headshot photographer does.

All genres of photography are deceptively simple. You might think there’s nothing to it, especially these days with all the great gear. But the more you know and understand about photographing different types of subjects, the more you realize how much actually goes into the highest level of photography in each genre--and how little any of that has to do with the gear. There is just so much to know and learn, and every type of photography is different and has its own challenges and required knowledge and experience. Only by specializing and devoting a career to one genre can you become a true master of that field of photography. That’s what I continue to strive for in architectural photography. For now, though, I hope you like my new headshots!

Updated Website!

I’m excited to announce the launching of my updated website!

Lou Ruvo Center for Brain Research by Frank Gehry, Las Vegas, NV

I recently updated my website to change the layout and apply a new template. It was a lot of work, but it was worth it. I use Squarespace for my website hosting, and their tools are really excellent. They make it very easy to get a site up and running, and they offer a lot of customization within their templates.

But it can be a tedious process when you’re trying to accomplish some very specific, nit-picking kinds of changes. No template is perfect, but with a few customizations I was able to get my website looking and working exactly the way I want.

The plaza at PPG Place, Pittsburgh, PA

I’m now using a template that is very common among photographers. At first I was hesitant to make this change because it’s so common. But I realized that my first website on Squarespace when I originally started my business used this exact template. I only later moved away from it because I wanted some additional features it did not offer. But there was a reason I chose it originally, and there is a reason I came back to it now. It’s probably the same reason that so many other photographers choose it. In my opinion it is the best presentation of photography.

It presents the images in as large a format as possible without any wasted space while still maintaining the proper aspect ratio of each image. It responds perfectly to changes in browser size or screen size. I tried several other templates, and even with a lot of style tweaks and custom CSS injection, it was nearly impossible to get them to work the way I wanted as flawlessly as my new template works right out of the box.

I wanted my website to focus on my work--after all, that’s the whole point of the website. And it is the work that differentiates my website from everyone else’s, even if some of them use the same template. Our work is all different. This website template puts the work front and center with no distractions. In the end, the template doesn’t matter--it’s the work you want to see. I think my website does a great job of presenting it to you. I hope you enjoy it!

The clubhouse at Tanager Apartments in Summerlin, Las Vegas, NV

Savidan Gallery Exhibition

I am honored to announce the opening of my first gallery exhibition at Savidan Gallery located at Faciliteq’s showroom in downtown Las Vegas, NV. I’m really excited about this opportunity to share some of my work with the larger design community in Las Vegas.

My exhibition features photographs of the architecture and design of downtown Las Vegas, but it’s not what you might think. I don’t have photographs of the casinos or Fremont Street on display. Instead, these are photographs that show Las Vegas as a living, working city.

For example, featured among my photographs are the Las Vegas City Hall, the World Market Center, the Smith Center, and several residential and commercial buildings. These are the structures of government, culture, life, and work that make Las Vegas a real city beyond its facade of casinos and entertainment.

Inside the Savidan Gallery at Faciliteq on 3rd Street in Las Vegas, NV

This work is part of my ongoing project to capture the environment and life of downtown Las Vegas.

Inside the Savidan Gallery at Faciliteq on 3rd Street in Las Vegas, NV

At the opening reception last night, I said I wanted to thank the architects and designers who continue to build Las Vegas because without them, none of my work would be possible. Not only do architects and designers create the subject matter I love to photograph, they also serve as my inspiration.

I tried to make my photographs fit right in with the scenery outside.

If you’re in Las Vegas, stop by Faciliteq’s showroom on 3rd Street. They have a beautiful gallery, and I’m proud and honored to be showing my work in it.

Savidan Gallery at Faciliteq, Las Vegas, NV

New Instagram Account

Wow, it’s been a long time since I’ve posted a new blog article, but that is not because I haven’t had anything going on! In fact, I’ve been extremely busy with a lot of different projects. I’ve also been working very hard to connect with architects and designers and others who are interested in professional architectural photography.

I have also been working on my Instagram account. Over the past few weeks, I have been making a great effort to increase my activity and presence on Instagram. I am trying to make a new post to my account each week. I’m going to continue to post my finished architectural photographs on Instagram, but I also plan to do some behind the scenes posts. I’m working on a video right now that will show some of the magic of post-production in Photoshop.

Here is one of my latest posts:

500 S. Main Garage, Las Vegas, NV

You can learn a little more about this building--parking structure in downtown Las Vegas, NV--in my post. My Instagram account is @michaeltessler, and I added an link to my profile here on my website in the upper right corner of each page.

I am finding that Instagram is a great way for me to connect with lots of different people who have an interest in architecture and design. I hope to see you out there!